Here’s a radical new technology in microphones. Not quite, here’s a radical old technology in microphones. Using a speaker as a low-frequency capture mic is nothing new. The Beatles used this technique as far back as the recordings of “paperback writer” and “rain,” but a commercially available product at this price that employs this technique is something new. Available in three different finishes: black, white, and white with a black ring. Enter the Solomon mics “lofreq,” built to get all the coveted chest-rumbling, sub-freq goodness, in a smaller package than conventional manufactured sub-mics, and half the price as well. Solomon mics mount to standard mic stands for limitless placement options, and stand choices… Whether dressed in black, all white or the black and white trooper, your lofreq will either make an impression or just seamless fit whatever aesthetic you choose.
Size is everything. The Solomon lofreq is huge in the mix and only 7″ compared to a 10″ snare
Recording studio and live stage use on kick drum, bass / guitar cabinets
Attaches to standard microphone stand (5/8″ fine thread) – output jack: neutrik XLR
Dynamic microphone – 6.5” Speaker driver – polar pattern: bi-directional – impedance: 150 ohms
Customized in-line pad for controlled gain (gain and impedance designed to match beta 52)